Friday I went to The Opera House to see Italian soundtrack legends Goblin with their special guests Secret Chiefs 3. SC3 opened the night and blew everybody away with their matchless blend of Middle Eastern music, prog-rock, surf, and Spaghetti Western score steeped long and hard in a narcotic brew of esoteric philosophy and magick.
Secret Chiefs 3 do not put on your typical concert. The material can be challenging for listeners. Bizarre time signatures, Middle Eastern scales, and enough dynamic range to scare you means that you’re in for a real experience as an active listener. Musicians out there couldn’t ask for a more prodigious group.
Watch this video from their visit in May when they played Ananada Shankar‘s “Renunciation”.
I have seen these guys three times in the last year and a half. Each time has been more impressive than the last. When they left the stage I wondered how anyone could follow them. I particularly wondered how Goblin would sound. Sometimes a band comes back after a 40-year hiatus and their sound isn’t fresh, feels put-on, and they play new material that is vastly inferior.
But Goblin’s appeal was never about tight performances and musicianship, necessarily. As the soundtrack music for some of the most stylish horror films ever made, it was always about the style, about the emotional climate they created and their distinct mood. When they came on stage they brought the goods.
They rocked. Their songs have such distinct character that they could have hardly messed it up. I don’t believe they were ever a touring band, so maybe their act hasn’t been on the shelf so long it’s stale. The attitude in the room was perfect, the performances were impressive and their set list was great.
The show made me pretty eager to dip back into some Argento horror films. Suspiria makes for a good Halloween tradition.