Movie Heroes

Think about your five favorite movies and the main character in each. What are their goals? What kind of quest do they go on? Maybe some of these heroes have similar goals. “Kill the bad guy/save the day” and “get the girl” are popular ones. Do those goals tell you anything about yourself?

Some character goals are simple. If you look at most popular movies, it’s easy to tell what the character wants. In Jaws, for example (kill the shark/save the day), or American Pie (get the girl), the goals are clearly marketed to the audience even before the movie comes out. Often the goal is implied by the title (i.e. The 40-Year-Old Virgin, Forgetting Sarah Marshall, Braveheart, Me, Myself and I, etc.).

“To boldly go where no man has gone before” is a great slogan for Star Trek. It doesn’t get much more straightforward than that. And who watches Star Trek? People who want to “explore strange new [fictional] worlds, to seek out new life and new civilizations.” Compare this audience to the demographic watching The Place Beyond The Pines. Now look at the audience for Fast and Furious or G.I. Joe: Retaliation and you can plainly see a different set of moviegoers to match the goals of the heroes.

One of the best pieces of pop cinema is Goodfellas. Henry Hill immediately tells us that as far back as he can remember, he always wanted to be a gangster. And he gets to. He walks on the other side of the law until it’s about to cost him his life, and then he jumps into hiding, and back into square society. This is a fantasy a lot of us would love to live out, and it’s no wonder that movie is a classic.

Sometimes the goal of the protagonist is a little harder to figure out. What is Don Draper’s goal in Mad Men? It’s tough to say it in a few words. How about the characters in Glengarry GlenRoss? As a rule, the more words you need to describe the hero’s goal, the less people will go to the theater to see it.

However our tastes are formed, it’s impossible to say all the reasons we like the things we like. Joe Blow might be a natural-born lover of spy thrillers while John Doe might be a sudden convert to historical dramas after seeing Elizabeth. Trying to appreciate someone else’s top five list is tough to do and involves stepping out of our comfort zone.

Here are five of my favorite movies. The hero’s goal in a few of these is fairly straightforward but some of them leave me wondering about my brain.

2001: A Space Odyssey

Eraserhead

8 1/2

Hurlyburly

Lost Highway

Change Your Brain – Pt. 2

One of the earliest influential philosophers is Thales from ancient Greece. Since him there has been a continuous succession of thinkers who built upon their predecessors, criticizing what they don’t like, correcting what they can, and emphasizing what makes the most sense. Since Thales we can trace the path of Western thought through to today, mapping the brain change of the world, and it’s all pretty interesting, minus the Dark Ages.

The classical Greek philosophers (Aristotle, Socrates, Plato) set the stage for world philosophy, and many other cultures absorbed their ideas before the formation of distinct philosophies of their own. Some would claim the Greeks were the fathers of philosophy, who made an art of thinking that benefited the rest of humanity. Others would argue that the Greek philosophers stunted the growth of future free-thinkers, limiting would-be revolutionaries with their categories and strict methods.

A goal of many intellectuals is to surpass their formative history and offer something new to the world, whether it be an invention, a way of thinking, or a new analysis of something we’ve taken for granted. It can be hard to break away from tradition and offer something new, but one thing I’ve learned is that the broader the net we cast for information, the bigger the potential catch. Even opposing opinions offer us a chance to compare and contrast and flex our own intellectual and intuitive genius.

I think reading is one of the best uses of time. The following books helped me to think in new ways.

Critical PathCritical Path by R. Buckminster Fuller

Bucky Fuller is an autodidact, inventor, engineer, and revolutionary thinker. His goal is simple: to make things easier for human beings by thinking about a problem and coming up with a novel solution. It doesn’t seem like he made a fortune, but his perspective has influenced a couple generations of scientists, philosophers and entrepreneurs. A major thrust in this work is the idea of ephemeralization (a term he coined), which describes our technological development trend of being able to do more work, more efficiently, in less time, with less material. Think of what a computer looked like in the 1970s and compare it to your smartphone. The brilliance of this book is that Fuller is truly a systems-thinker, and always has the big picture in mind. And best of all, he’s a little kooky. I recommend this book for the socially conscious.

 

Quantum PsychologyQuantum Psychology by Robert Anton Wilson

Written with humour, erudition, and infectious optimism, this handy little manual offers us a new look at our selves. This book is a guided tour to opening new ways of thinking and acting. It asks us to look at what we know of the world, then to look at how we know these things and why. In 200 pages this book challenges every belief, every behavior, and every excuse to avoid being who we want to be. This is a manual about writing your own life script but it is far from being New Age. Wilson’s voice is authoritative, wise and hilarious throughout, and every chapter offers practical exercises for the reader to begin opening new horizons. Recommended for everyone.

 

StoryStory by Robert McKee

This book, and its author, are a little bit legendary in the film industry for a variety of reasons. McKee attacks the construction of a screenplay using big, fundamental ideas that shed light on what stories have to offer to the human experience and what makes a story satisfying. His aggressive writing style almost challenges the reader to prove him wrong when he explains why character is story, why story must be told through conflict, and why there must be a major emotional value change in every scene, sequence, act, and movie. When I first got the book I assumed, since I like so-called art films, that I would disagree with a lot of what he had to say. After all, Eraserhead doesn’t have much in common with, say, Paul Blart: Mall Cop. But most of the points McKee makes hold true for just about every movie, every novel, every short story, short film, opera, play, campfire story, drunken anecdote…Recommended for anyone interested in storytelling.