Most of my favorite works of art deal with psychological, internal, and (if I may) spiritual problems. I might be in the minority on that, but it’s hard to tell. Most pop cinema and music seem to actively avoid these issues in any serious or thoughtful way, but my view may be skewed by massive PR budgets, while many profound works count on niche marketing and word of mouth.
Two nights ago I was working through an internal process during my meditation, essentially allowing my sensory inputs to drain out and empty, and it occurred to me (not for the first time) that many of these internal obstacles literally defy rational language. The scientific method is a beautiful tool for explaining and enhancing our understanding of our world, but when it comes to internal experiences, scientific language fails to capture the experience in any way I can relate to.
I can talk about the cessation of dialectical thinking, stimulation of the parasympathetic nervous system or increasing respiration for lowering systolic blood pressure, but these descriptions are cold and say nothing about the end-user experience, despite their medical accuracy.
To speak about “turning the light around” captures more of the mysterious essence of the experience, even though this phrase provably does not describe what’s going on in my body. All language is in a sense arbitrary. If we can find language that more closely captures the experience, we should use it.
Scientists have been encroaching on this field for a while now, and with good reason. Some organizations like The David Lynch Foundation try to analyze meditation from a scientific perspective so they may explain it to rational people. This is totally laudable and seemingly essential these days. But I was always more affected by artistic interpretations of internal experiences, art forms that somehow poetically capture the ineffable nature of what’s happening, what it feels like to have internal revelations.
This is where I find uncompromising value in art. Art is the best conveyor of human experience, and exposure to it seems essential to me if we want to mature as human beings.
All communication is symbolic. The word “kite” is not the physical object called a kite. If the best we can do to symbolize an actual kite is to come up with a verbal grunt with sharp sounds on each end—a sound that is intrinsically meaningless—then we are at least slightly lame as a species. The word itself seems complete gibberish to someone without experience of an actual kite. But to watch a film of some kite-flying enthusiasts, or read about a child’s wonder as the wind pulls the kite down a sunny beach, is to learn on more than merely verbal levels.
This is where I cut a lot of slack for religious literature. There are a lot of religious books which, if taken literally, are absurd and stupid. But those books tend to elicit analogical and mystical interpretations that resonate with people in deep ways. Reading The Bhagavad Gita, I never once expected that the events depicted in it really happened. But I was moved by it, and I continue to find it beautiful.
This might be why I value “saying something” over simply making art for money. I am glad to fork over my hard-earned cash for a meaningful experience, and usually annoyed when I walk away from a movie or book thinking, “so what?”
I have written on this previously, if anyone is interested.